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Malayalam novels written in the first ten years after India became independent lacked the radicalism of the earlier novels. It reflected the despondency and inward-looking attitude of the authors.

Sadness became a recurrent theme in the writings of those days and writers seemed to see things in an entirely new perspective. The first novel that espoused this new style of writing was M.T.

Vasudevan Nair’s Nalukettu, published in 1958. The other novels that he wrote during his long literary career became equally popular. M T.’s other works are Asuravithu (The Demon Seed), Kaalam (Time), Manju (Mist), Randamoozham (Second Turn), and Varanasi. Many other novelists started writing around the same time, in the early 1960s. Vijayan, Kakkanadan, Anand, Mukundan, V.

K.N., Sethu, Punathil Kunhabdullah, P. Padmarajan, N.P. Muhammad, Rajalakshmi, Vilasini (real name M. Radhakrishnan, P.K. Balakrishnan, Lalithambika Antharjanam, E. Vasu, Malayattoor Ramakrishnan, V.T.

Nandakumar, Perumbadavam Sreedharan, Puthoor Unnikrishnan, P. Valsala, George Onakkoor, U.A. Azeez, Sarah Thomas, P. Varkey, and P.R. The search for values in a degenerating society, identity crises, existential dilemmas of the individual, and negativism were the hallmarks of modernism in literature. The most outstanding Malayalam novel in which the stamp of modernism can be clearly seen is O.V. Vijayan’s Khasakkinte Ithihasam.

Novels of O.V. Vijayan: Khasakkinte Ithihasam (The Legend of Khasak) Dharmapuranam (The Saga of Dharmapuri) Gurusagaram (The Infinity of Grace) Madhuram Gayathi Pravachakante Vazhi (The Path of the Prophet) Thalamurakal (Generations). Novels of Kakkanadan: Akjnathayute Thazhvara (The Valley of Ignorance) Parngimala Ezham Mudra (The Seventh Seal) Ushnamekhala (The Tropics) Sakshi (The Witness) Aarudeyo Oru Nagaram (Someone’s City) Orotha Novels of M.